Sunday, February 18, 2007
Half Past Autumn
This book is a beautiful photo history by Gordon Parks. Our "One Book, One Community" read last spring was The Learning Tree, by G. Parks. Each year, our community enjoys a week of activities (book discussions, author readings, visiting author in the schools, etc.) around a particular book. What a delightful way to meet up with kindred spirits! This year, I was lucky enough to be hostess to our featured author, Ann Parr, who wrote a young adult biography of Gordon Parks...a man she had the fortune of meeting twice, in person, when she flew to New York to interview him. The name of Ann's delightful book is No Excuses.
Thursday, July 20, 2006
Wednesday, February 15, 2006
Touching Spirit Bear, by Ben Mikaelsen
This has been an awesome week ...our 3rd annual "One Book, One Community" festival of reading the powerful young adult novel, 'Touching Spirit Bear', by author Ben Mikaelsen. Stories abound throughout our community...at the author's presentations and book discussions taking place throughout the community...of how this book has spoken to people. "This is MY story", so many of them express, as they go on to be more specific about how the novel touched them at the soul level.
Thursday, August 11, 2005
Kaaterskill Falls, by Allegra Goodman
This Body: a novel of reincarnation, by Laurel Dowd
This debut novel by a research librarian tops off my summer reading. After finishing This Body, I'm not quite sure what to make of it. If you find the concept of reincarnation thought-provoking and could relate to a 40-something married, mother of two teenagers waking up in the emaciated body of a 22-year old drug addict...you just might find it an intriguing read, as well!
Friday, July 22, 2005
Grist for the Mill
Margaret Atwood, in an article for the Guardian (UK) a couple of years ago, wrote about the impact reading George Orwell's dystopia, Animal Farm, had on her when she was nine years old. She cried her eyes out when Boxer, the beloved horse, had an accident and was taken away to be made into dog food, rather than being given the quiet corner of the pasture he'd long been promised.
The metaphor of meat processing fits so well as imagery for how I see this country of ours (US) during this madness of empire-building. I'm incensed that we continue to send our young men and women to Iraq...someone else's sons and daughters....to kill or be killed. Instead, we should be about the business of keeping our promise - that children in America are free citizens in a democracy, not an empire. Our policies should affirm that their lives mean so much more than oil...so much more than being a slab of meat run through the military industrial meat grinder. It brings to mind Dodge City...Matt Dillon's great Wild West...the 'heartland' of America. Grist for the mill...fodder for the great meat processor. A meat hook on which to hang your dreams.
The introduction to George Orwell's novel describes him as a man with the conviction that man is incapable - inadequate - to cope with the demands of his history. Perhaps that's a big part of the problem. We've studied HIStory. What if women figured much more into our study of our past?...What if societies and individuals truly studied the times of partnership in our past, rather than reflecting on our country's history in the context of war?
Wednesday, July 20, 2005
More on Mermaids...
After receiving a quite thoughtful email from a friend who had read my musings about the current best-seller, The Mermaid's Chair, I felt compelled to comment a bit more about why this book proved to be a disappointment for me.
As I'd said previously, Sue Monk Kidd's spiritual memoir - Dance of the Dissident Daughter - rang so true and engaged me the whole way through. Not so with The Mermaid's Chair. I felt that the writing plodded along in the beginning and then patriarchy (pleasing the powers-that-be...SELL BOOKS)won out in the end. Don't get me wrong - it's not the least bit difficult to imagine that a woman coming into spiritual consciousness could become confused by the meeting of the mystical and physical passion. It's just that SMK's emerging style seemed to me to be that of feminist and seeker of no-easy-answers. She reduced her protagonist, Jessie, to a self-indulged naval gazer who seemed to rapidly develop amnesia of her 20 year old marriage to a ...rather great guy! Give me a break. Of COURSE this is 'real life' and happens each and every day in (sadly) hundreds of marriages. It's also WRITTEN about each and every day into hundreds of novels, movies , and soap operas. So...I expected more from SMK and I sincerely hope that in her next, inevitable novel, she will take a chance on a much more creative path and light the way for those who would like to see a fresh twist on the age-old drama of adultrous temptation.
~ Sonja
As I'd said previously, Sue Monk Kidd's spiritual memoir - Dance of the Dissident Daughter - rang so true and engaged me the whole way through. Not so with The Mermaid's Chair. I felt that the writing plodded along in the beginning and then patriarchy (pleasing the powers-that-be...SELL BOOKS)won out in the end. Don't get me wrong - it's not the least bit difficult to imagine that a woman coming into spiritual consciousness could become confused by the meeting of the mystical and physical passion. It's just that SMK's emerging style seemed to me to be that of feminist and seeker of no-easy-answers. She reduced her protagonist, Jessie, to a self-indulged naval gazer who seemed to rapidly develop amnesia of her 20 year old marriage to a ...rather great guy! Give me a break. Of COURSE this is 'real life' and happens each and every day in (sadly) hundreds of marriages. It's also WRITTEN about each and every day into hundreds of novels, movies , and soap operas. So...I expected more from SMK and I sincerely hope that in her next, inevitable novel, she will take a chance on a much more creative path and light the way for those who would like to see a fresh twist on the age-old drama of adultrous temptation.
~ Sonja
Subscribe to:
Posts (Atom)